Many of these contents were not incorporated into the lexicon of the most prominent later composers, who, far from seeing them as platforms for the construction of new instrumental motifs that allowed them to assimilate the emerging musical proposals, would return to the use of the idiomatic motifs of the preceding tradition hindering the immersion of the guitar in the flow of stylistic contributions that would best define musical romanticism. However, from the current perspective and as one who looks at the guitar music history from the moment his literature appears to our days, many of the contents of Sor’s work are isolated, despite the importance – and of the transcendent potential- of the innovative ideas it contains in comparison with those of the works of its predecessors and contemporaries. The integration of the guitar in the world of cultured music.”įernando Sor’s guitar work is considered the most important in all time. 16, 2021, 5:30 PM at CMMB) Lecture on Fernando Sor by JAUME TORRENT “Fernando Sor. In 2000, he was granted with a scholarship by the Embassy of Spain to attend the International Course of Interpretation in Spanish music “Music in Compostela”. At the same time of his studies, he continued to develop his experience in different luthier workshops. In 1996 he entered the Faculty of Fine Arts of the UNLP, where he obtained the Bachelor of Music in Guita, in 2002, and the Master Degree, in 2003. Santiago Canals began his guitar studies with Ricardo Gonzalez Longo and lutherie with Reno Rios, both will guide and support him throughout his academic studies. This conference will develop themes related to the construction and evolution of the guitar from those ones used by Ferran Sor to the present day. For this reason, it is important and necessary that luthier and guitarist have an interchange of ideas. The construction of a Concert Guitar follows a chain of processes where the sound target is that leads us to develop different types of research in which each part of the instrument is expression of the luthier’s research and the guitarist’s feeling and awareness. Lecture on “the Concert Guitar construction” by SANTIAGO CANALS
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